FancyFix original decorative and functional film
Design Studio

Every pattern we sell, we drew.

FancyFix is a design-led manufacturer, not a catalog reseller. Our studio draws original patterns in-house and applies them across window film, wallpaper, floor and furniture film, and craft vinyl — then reads what actually sells before it reaches your shelf.

Talk to our studio

The FancyFix design studio originates its own patterns — wood, marble, floral, geometric, leaded glass, and more — and manufactures them in-house across four material lines. Designs can be licensed from the library, adapted to a partner's direction, or developed as an exclusive that never appears in FancyFix's own retail.

One design, any surface

An original design isn't locked to one material.

A pattern our studio draws can run as window film, wallpaper, furniture contact paper, a floor tile, or craft vinyl — re-worked for each substrate and each way it's used. That's the point of designing in-house: one idea, applied wherever a partner needs it.

A designer laying a translucent film sheet over a geometric colour-block artwork on a studio worktable, with swatches pinned behind
Wall Coverings

Wallpaper

Peel-and-stick wallpaper that hangs flat, comes off clean, and carries an original pattern — five style families a retailer or a renovation crew can build a wall from.

Wood-grain peel-and-stick wallpaper pattern in a light parquet marquetry layout

Wood

Wood-effect wallpaper reproduces real timber — oak, walnut, reclaimed plank, shiplap — in grain, knot, and tone rather than a printed cartoon of wood.

Sells as a safe, always-in-style retail staple, and as renovation material for feature walls and cabinetry fronts a crew fits fast.

Usually PVC with permanent adhesive, in a matte or lightly textured finish.

Marble peel-and-stick wallpaper pattern in golden Roman travertine veining

Marble

Marble wallpaper prints the vein, movement, and depth of Carrara, Calacatta, and darker stones — the look of a slab without the slab.

A reliable retail seller and a designer's shortcut to a stone feature wall on a schedule real stone can't meet.

Typically PVC, permanent adhesive, in a matte, satin, or high-gloss finish.

Floral peel-and-stick wallpaper pattern with birds and blossoming branches on cream

Floral

Botanical wallpaper — leaves, blossoms, and full florals drawn as original repeats, tuned by scale and colorway rather than pulled from stock.

Moves at retail on trend and color, and gives designers a statement wall or an accent that reads as chosen, not generic.

Usually PVC, permanent adhesive, matte finish.

Geometric peel-and-stick wallpaper pattern in contrasting diamonds and triangles

Geometric

Geometric wallpaper — arches, grids, terrazzo, and line repeats engineered so the pattern lines up seam to seam across a wall.

A strong retail line for modern rooms, and a designer pick where a space needs rhythm without a picture on it.

Typically PVC, permanent adhesive, matte or textured finish.

Grasscloth-look peel-and-stick wallpaper pattern with fine woven linen texture

Grasscloth

Peel-and-stick grasscloth wallpaper mimics woven natural fibre — the warmth and shadow of real grasscloth without the paste, seams, or fragility.

Sells to retail and designers who want texture and a premium hand on an accent wall.

Usually PVC with an embossed texture, permanent adhesive.

A translucent botanical seedhead pattern printed on a glass panel in an interior
Window Film

Decorative window film

Decorative window film that turns plain glass into a feature — original stained-glass designs and window-scene patterns, made to be seen with the light behind them.

Stained glass4 series
Leaded glass window film on a sash window, its clear geometric lattice seen against daylight

Leaded glass

Leaded-glass window film recreates the came lines and bevelled panes of a leaded window — the geometry of real leadlight, printed onto film.

Sells backlit on a retail shelf where the effect proves itself, and as a designer finish for doors, sidelights, and transoms.

Made as PVC film, static-cling (non-adhesive) or low-tack, in a clear-and-colored finish that lights through.

Victorian stained glass window film on a window, amber star medallions lit from behind

Victorian Stained Glass

The Victorian series draws the ornate florals, borders, and jewel palettes of period stained glass into original panels — heritage character, not a scanned antique.

A strong retail line within the stained-glass family, and a designer choice for restoration-style and boutique interiors.

PVC film, static-cling or low-tack, colored and light-through.

Vintage embossed window film on a timber-framed window, damask relief catching side light

Vintage Glass

The Vintage series is softer and more faded than Victorian — muted palettes and worn, antique motifs for a lived-in, aged-glass look.

Sells at retail to the nostalgic-interior shopper and specs into cafés, B&Bs, and character renovations.

PVC film, static-cling or low-tack, colored.

Gothic stained glass window film in a black window frame, diamond lattice with red and amber jewels

Gothic Glass

The Gothic series takes pointed arches, tracery, and cathedral geometry into bolder, higher-contrast panels than the florals.

A distinct retail line and a designer pick for statement doors, stairwells, and dramatic interiors.

PVC film, static-cling or low-tack, colored and light-through.

Window scenes3 series
Floral window scenes

Floral window scenes

Floral window film places leaves, branches, and blossoms across the glass as a scene — decoration that also screens the view.

Sells where a buyer wants privacy that doesn't read as frosting — retail shelves and designer specs for kitchens, baths, and entries.

PVC film, static-cling or low-tack; frosted-plus-print so it obscures while keeping the light.

Scenic wildflower window film on a sash window, a painted meadow rising from the sill

Faux Scenic

Scenic window film prints forests, mountains, and ocean horizons as a faux view — the idea is to replace what's actually outside the glass.

Sells to retail and to designers solving a bad outlook: a facing wall, a neighbour's window, a cluttered back lane.

PVC film, static-cling or low-tack; frosted base carrying the print.

Silhouette

Silhouette

Silhouette window film uses clean, high-contrast cut-outs — birds, branches, figures, type — reading as shape against light rather than full color.

A modern retail line and a commercial pick for storefront glass, office partitions, and wayfinding.

PVC film, static-cling, low-tack, or frosted-cut, depending on the look.

How a pattern gets made

Every pattern follows the same path

1
Reference and direction

A season, a historic style, a mood board, or a brief from a partner.

2
Hand-drawn origination

Our studio draws and builds the repeat from scratch, not from a stock file.

3
Proofing on the real material

We print on the actual substrate, at size. Screen color lies; ink on film doesn't.

4
Production

Once it's approved, we run it, and a reorder matches the first run.

We don't publish a pattern count — a big number and a good library aren't the same thing.

A designer sketching over textured wall covering samples with a magnifier and a roll
Floor & Furniture

Contact paper & floor tiles

Self-adhesive film that renews a surface instead of replacing it — furniture and cabinet contact paper, plus peel-and-stick floor tiles, in three finish families.

Wood-effect adhesive floor film pattern in a three-dimensional cube marquetry

Wood

Wood contact paper wraps cabinets, doors, and furniture in oak, walnut, and grain patterns; the same wood design also runs as peel-and-stick floor tiles.

Sells at retail as a low-commitment refit, and to renovation and cabinet firms as working material by the roll.

Usually PVC, low-tack (removable) for furniture or permanent for floors, matte or wood-textured.

Marble contact paper pattern in soft white and grey stone veining

Marble

Marble contact paper renews countertops, tabletops, and shelving in Carrara and darker stone looks, with a matching marble floor-tile option.

A retail favourite for kitchen and cabinet updates, and a renovation-crew material for surfaces that don't justify new stone.

Typically PVC, low-tack or permanent, in a satin or gloss finish.

Sage green glazed tile-effect peel-and-stick backsplash covering a kitchen wall

Solid

Solid contact paper — black contact paper, white, and core neutrals — is the plain-color base for lining, blocking, and pairing with a pattern.

Sells as a safe, hard-to-overstock retail staple and as a large-area base coat for renovation jobs.

Usually PVC, low-tack or permanent, in matte or gloss.

Rolls and sheets of metallic surface film in gold, copper and silver on a studio bench
Craft Vinyl

Craft vinyl & HTV

Specialty craft vinyl and heat-transfer vinyl (HTV) with finishes a plain sheet can't do — for the maker channel and for brands making their own materials.

Glitter

Glitter

Glitter craft vinyl and HTV carry a dense, light-catching sparkle through the film — cut, weeded, and applied like standard vinyl.

Sells into craft-store shelves and to makers for seasonal, gift, and personalised runs, plus kids' and party projects.

Adhesive craft vinyl or iron-on HTV, by the sheet or the roll.

Holographic

Holographic

Holographic craft vinyl shifts color and throws a rainbow as the light moves — the finish is the whole point.

Sells to the maker channel and, as window film, wherever a color-shift under light is the selling feature.

Adhesive craft vinyl, iron-on HTV, or PVC film, by the sheet or the roll.

Glow in the dark

Glow in the dark

Glow-in-the-dark vinyl charges under light and emits in the dark — a function, not just a look.

Sells for kids' rooms, entertainment and cinema spaces, and safety marking and wayfinding.

Adhesive craft vinyl or iron-on HTV; matte, charges under normal room light.

Custom

Three ways to put an original on your shelf

01

License from the library

Take an existing FancyFix pattern as it is. The fastest route to a shelf.

02

Adapt a style

Start from one of our directions and we tune color, scale, and finish to your line.

03

Develop an exclusive

We draw something new to your brief, owned by you. See the exclusivity terms below.

Exclusivity

A design we draw for you is yours.

A pattern our studio draws for you under a bespoke agreement is exclusive to you. We don't resell it, we don't reissue it in a different colorway under another name, and it never appears in our own retail listings. That exclusivity is written into the agreement before production, not promised on a call.

The patterns shown on this page are our open catalog — available to any partner, and some of it does appear in our own retail. If you need a catalog pattern locked down, that's a regional exclusive and a specific agreement — ask for it.

A hand drawing an original floral line pattern beside stained glass film swatches
The pattern book

This page shows one from each family.

The full library — every colorway, size, and material option — comes in the pattern book once we connect. Tell us your channel and market, and we'll send the range that fits it.

Request the pattern book
FAQ

Which design, on which product — questions buyers ask.

Wood and marble are the workhorses — strongest as wallpaper and as furniture contact paper. For renovation and project clients, the neutral grain and stone patterns go with almost anything, which lowers the back-and-forth with their own end customers. For retail, they're hard to get wrong — every house has a wall or a surface they suit. What they don't belong on is window film: they block the light, and wood or marble on a window doesn't make sense to begin with.

No. The selling point is backlighting — light passing through the colored pattern is what gives the depth of real glass. On a wall with no light behind it, you're left with a flat print. That same dependence on backlight is exactly why these series perform so well on a retail shelf and in a listing photo.

They're designed to fake the view outside a window, so the concept needs a window to work. Move a scene onto a wall and it's just a landscape mural — the "looking out" illusion is gone. On glass, the point is to hide what you don't want to see — a facing building, a neighbour's window, a cluttered back lane — and put something you do want in its place.

On a wall it's pattern. On a window it does an extra job: spacing the design tight or open lets it screen the view and let light through at the same time — something plain frosted film can't do, since frosting is all-or-nothing. So the two sell different things: on the wall you're selling the design, on the glass you're selling privacy that still stays bright.

No. Wall floral is a pure décor choice — buyers stock it on trend color and style. Window floral belongs to the window-scene line, where the buyer is after two things at once: screening the view and a pattern that looks good doing it. Same motif, two different reasons to buy.

Not as window film — grasscloth is all about woven texture, and a window film has to pass light, which flattens and muddies that texture against the light. As furniture contact paper it works well. Not as flooring either — the material doesn't hold up to floor wear.

Solids are the base and the partner piece — paired with a pattern (a solid counter under a marble backsplash, a plain panel beside a geometric wall) and used to cover large plain areas. At retail they're the safe, slow-to-go-stale stock a buyer can always move, because there's always a job that needs plain.

Glitter suits the craft channel — seasonal, gift, and personalised makes, plus kids' and party projects; it's not for commercial interiors, where it reads cheap. Holographic suits the craft channel and window film, where the color-shift under light is a natural draw; it's not for large wall areas, where it's visually too much. Glow-in-the-dark suits kids' rooms, entertainment and cinema spaces, and safety marking; it's not for mainstream retail home décor, where demand is narrow.

Put an original on your shelf.

Tell us your channel, your market, and what you're trying to move. We'll point you to the right patterns, the right materials, and the terms that fit — and send the full pattern book to match.

Talk to our studio